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Incidentally, BLADE RUNNER was a bittersweet inaugural cinematic realization for PKD. Indeed, so bittersweet that it may have precipitated the stroke that killed him four months before the release of the film after seeing some footage from BLADE RUNNER. For in the literary art of PKD, residing on Titan, the largest moon of Saturn, symbolized achieving the pinnacle of literary success and being accepted as a titan of the literary world, a status he had tried and failed to attain with his thoughtful allegorical novel, The Man In The High Castle (1962). Living on Mars symbolized only succeeding in the fantastic fiction and film world, as PKD did with the Hugo award he received for The Man In The High Castle . Indeed, a Martian existence equated with being trapped far away from majestic Titan on the planet synonymous with sly fi since the publication of the allegorical H. G. Wells novel, The War Of The Worlds (1896), a sly fi ghetto fate that PKD acknowledged after the failure of The Man in the High Castle to attract a wider audience. For, after battling off the evil Titans of American literature in his allegorical novel, The Game-Players Of Titan (1963), he resignedly and dejectedly retreated to Mars in the allegorical novel , Martian Time-Slip (1964).
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The POV then returned to Jabba’s cantina and its drunken dregs of arrogant and alienated mutants. Here the blue and Snoopy-like Sy Snootles continued the cartoonish link of Jabba and his retinue, and led his mutated band through some boisterous bluesy rock-updated in the Special Edition-that recalled THE BLUES BROTHERS, while the lustful Sacc drooled after the beautiful green Twy’lek dancer, Oola-played by Femi Taylor. Dancing alone in a bright light, Oolala’s whirling shape looked like a projected film image, again linking Jabba and his gang to twilit and blockbuster obsessed Hollywood filmmaking excess and evil. Literally, as the ‘-la’ that ended her name openly linked her to L.A. and the Dark Side of Hollywood. Oola also evoked the naked Afro-American hologram dancers in THX 1138, underlining that Jabba’s underground palace was a new film linked labyrinth from which Lucas and Luke must escape. Indeed, that Jabba’s lair symbolized all of the sinful vices that could lead one astray after achieving success in film. However, and luckily for Lucas and Luke, Oola also reminded us that the sight of the powerful hologram dancers helped knock THX 1138 out of his Tin Man drug stupor and into jazzed up Scarecrow virility, setting us up again for the triumph of health and harmony here in STAR WARS EPISODE VI: RETURN OF THE JEDI. This link to health was ironically underlined by her green skin, reminding us not of the Wicked Witch of the West but of Alderaan, Yoda, Dagobah, the Emerald City and the rejuvenating green Force of Spring. Fitting links, as the name of Twy’lek Oola evoked not just twilit L.A., but also Yoda and Leia, reminding us that the last time we saw a pretty holographic girl in the Classic Trilogy, she was Princess Leia. This set us up for Leia’s imminent and scantily clad return to the Space Opera.
Assess the parks conditions when you arrive – is it slippery or icy, is any of the equipment broken, is there broken glass or other hazards present? Please report any problems or concerns to the Parks Department. (250-490-2500 or firstname.lastname@example.org) Recognize age appropriateness – playground structures are designed for two age categories: Ages 18 months to 5 years old; and Ages 5-12. Toddlers may be thrilled at the challenge of trying the ‘big kids’ equipment, but please recognize the risks involved. Ensure proper use of play equipment…play as it was designed to be used. Remove any drawstrings on hoodies or jackets – they are strangulation hazards Dogs must stay on the outside of fenced play areas or kept a minimum of 10 metres away from unfenced playgrounds – for everyone’s safety it is best if dogs are not brought to children’s play areas at all.
Rotary Playworld - Skaha Park (Cypress Street and Elm Avenue)